As alluded in the previous scene, this is the Ruth Handler, the creator of Barbie. (As the film points out in a fourth wall break, you don't cast Robbie to play the everywoman.) This is when Barbie's guardian angel returns, as the mysterious woman she met at Mattel headquarters walks into the Barbieland crowd. She's no longer the perfect, optimistic Stereotypical Barbie, and Normal Barbie doesn't really fit her either. After exploring the real world, and gaining access to human emotions like fear, anxiety, and "irrepressible thoughts of death," she doesn't know where her place is in Barbieland anymore. With every other storyline wrapped up, the movie turns to Barbie, who's still pretty bummed. The true emotional heft of the human world is Gloria and Sasha's relationship, which mends as the mother and daughter begin to understand each other more throughout their Barbieland adventure. Both of these resolutions are slightly lost in the wake of Barbie's final scenes, and honestly they feel a bit superfluous. The CEO initially says no, until an exec confirms it will make a lot of money, and then it's a go because capitalism. Also, Gloria proposes making an Ordinary Barbie doll, which solidifies the film's message that a person should be free to have their own goals, without being told to live up to some universal standard. ![]() The Mattel CEO (Will Ferrell) who trailed Barbie back into Barbieland declares everything back to normal, but the Barbies decide that Barbieland should change, and at least work towards actual equal rights for Barbies and Kens. With this resolution to the film's plot-centered conflict, it seems like a tidy ending. Play icon The triangle icon that indicates to play When he heads back to Barbieland with a head start, he teaches the other Kens sexist ideals and somehow brainwashes the Barbies into becoming trophy situation-ship maids, ahead of a constitutional vote to turn Barbieland into Kenland. When Barbie starts to have the unexpected changes seen in the trailer, she and Ken travel to the real world, where they have two very different reactions: Barbie spirals into an existential depression as she begins to question her place in the world, and Ken discovers the wonders of the patriarchy. The men are also second-class citizens, with the women holding all of the important jobs, autonomy, and even homes, as Barbie doesn't even know where they go at night. In their world, Barbies run literally everything, and Kens are their pleasing companions. ![]() Robbie is Stereotypical Barbie (who we'll just call Barbie with no modifier), and Ryan Gosling is Beach Ken. Let's break down the film's breathtaking ending.įirst we'll run through the basics: the Barbies and Kens of Barbieland are physical manifestations of Mattel's various dolls, who live in an idyllic doll land without certain organic matter, like liquids and genitals. The film is also a nuanced exploration of the anxiety and existential dread of being a woman, leaving viewers with a ton of thematic meaning to unpack once the awe over Barbieland's immersive set and the stars' excellent performances fades away. Barbie was set to be the hilarious, nostalgic, box-office shattering blockbuster of the year and it's already exceeding in those areas just halfway through opening weekend. ![]() Now, she has come to life as the star of her first-ever live action film, directed by Greta Gerwig and starring Margot Robbie. The fashion doll, which grew over the decades into a global cultural icon, was made to embody the future dreams of generations of little girls heading into adulthood. Barbie is a concept full of contradictions.
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