![]() In his final years, Schwartz returned exclusively to painting abstracts these paintings are considered among his best work. He was also one of a group of prominent Chicago artists-including Ivan Albright, Malvin Albright, and Aaron Bohrod-that hung out at Riccardo's Restaurant and Gallery during the 1940s and 1950s. He became a well-known figure in Chicago, mostly due to his memorable handlebar mustache and eccentric persona. Greatly influenced by European surrealism, Schwartz painted strange biomorphic forms and apocalyptic scenes in many of his works. It was not until the early 1940s that Schwartz returned to painting the esoteric imagery for which he had become known. Working under the supervision of Increase Robinson in Chicago, he painted Regionalist works showing the countryside and small-town American life. During the Great Depression, Schwartz became an artist on the Federal Art Project payroll. ![]() He also scandalized conservative audiences with numerous lithographs of nude women. When Schwartz returned to painting, he distinguished himself with dreamy, symbolist works and abstractions that tended to bewilder viewers. After graduating, he put his art career on hold to concentrate on a budding career as an opera singer. Four years later, he emigrated to the United States and eventually enrolled in the School of the Art Institute of Chicago. At the age of thirteen, he moved to the nearby city of Vilna to attend art school. Schwartz was born in Smorgon in Belarus (then in the Russian Empire) to Samuel Schwartz and Tauba Reznikoff. 2), a 1934 painting by Schwartz for the Public Works of Art Project Study for Mining in Illinois (1937), Schwartz's mural for the post office in Eldorado, Illinois ![]() William Samuel Schwartz (Febru– February 10, 1977) was an American artist who lived and worked in Chicago.īiography Americana (No. For other people named William Schwartz, see William Schwartz (disambiguation).
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